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	<title>raagarasika</title>
	<atom:link href="http://raagarasika.podbean.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://raagarasika.podbean.com</link>
	<description>Raaga Rasika: Exploring the World of Carnatic Music</description>
	<pubDate>Mon, 23 Nov 2009 19:05:13 +0000</pubDate>
	<generator>http://podbean.com/?v=3.2</generator>
	<language>en</language>
		<!-- podcast_generator="Podbean Engine/5.0" -->
		<copyright>&#xA9;Raaga Rasika 2003-2009</copyright>
		<category>Arts</category>
		<ttl>1440</ttl>
		<itunes:keywords>indianclassical,music,carnatic,southindianclassical,carnaticmusic</itunes:keywords>
		<itunes:subtitle>Raaga Rasika: Podcasts that explore the world of Carnatic Music.		</itunes:subtitle>
		<itunes:summary>Raaga Rasika: Exploring the World of Carnatic Music</itunes:summary>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:category text="Arts">
  <itunes:category text="Performing Arts"/>
</itunes:category>
<itunes:category text="Music"/>
<itunes:category text="Society &amp; Culture"/>
		<itunes:owner>
			<itunes:name>Raaga Rasika</itunes:name>
			<itunes:email>raagarasika@live.com</itunes:email>
		</itunes:owner>
		<itunes:block>No</itunes:block>
		<itunes:explicit>No</itunes:explicit>
		<itunes:image href="http://raagarasika.podbean.com/wp-content/blogs5/68577/uploads/Veena_detail.jpg" />
		<image>
			<url>http://raagarasika.podbean.com/mf/web/canmc6/Veena_detail.jpg</url>
			<title>raagarasika</title>
			<link>http://raagarasika.podbean.com</link>
			<width>144</width>
			<height>144</height>
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			<item>
		<title>Episode 54: Special Rasikas’ Voice With Listener Renditions &#8212; Part V</title>
		<link>http://raagarasika.podbean.com/2009/11/23/episode-54-special-rasikas%e2%80%99-voice-with-listener-renditions-part-v/</link>
		<comments>http://raagarasika.podbean.com/2009/11/23/episode-54-special-rasikas%e2%80%99-voice-with-listener-renditions-part-v/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 19:05:13 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/11/23/episode-54-special-rasikas%e2%80%99-voice-with-listener-renditions-part-v/</guid>
		<description><![CDATA[Continuing on with the listener submitted renditions, we feature two submissions: the first one is by Smt. Seethalakshmi Parameshwaran from Ohio, USA who submitted a bhajan (devotional piece) on Lord Ganesha in the raaga Tilang; the second submission is a Vasantha raaga alapana by 10 year old Kum. Shreya Ashok from Texas, USA. Vidya provides [...]]]></description>
			<content:encoded><![CDATA[<p>Continuing on with the listener submitted renditions, we feature two submissions: the first one is by Smt. Seethalakshmi Parameshwaran from Ohio, USA who submitted a bhajan (devotional piece) on Lord Ganesha in the raaga Tilang; the second submission is a Vasantha raaga alapana by 10 year old Kum. Shreya Ashok from Texas, USA. Vidya provides additional information on each of these raagas and also sings snippets from other popular compositions these raagas.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/8v7vcr/raagarasika54.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/11/23/episode-54-special-rasikas%e2%80%99-voice-with-listener-renditions-part-v/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/8v7vcr/raagarasika54.mp3" length="19704861" type="audio/mpeg"/>
				<itunes:subtitle>Continuing on with the listener submitted renditions, we feature two submissions: the first one is by Smt. Seethalakshmi Parameshwaran from Ohio, USA who submitted a ...</itunes:subtitle>
		<itunes:summary>Continuing on with the listener submitted renditions, we feature two submissions: the first one is by Smt. Seethalakshmi Parameshwaran from Ohio, USA who submitted a bhajan (devotional piece) on Lord Ganesha in the raaga Tilang; the second submission is a Vasantha raaga alapana by 10 year old Kum. Shreya Ashok from Texas, USA. Vidya provides additional information on each of these raagas and also sings snippets from other popular compositions these raagas.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>listeners,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 53: Special Rasikas’ Voice With Listener Renditions &#8212; Part IV</title>
		<link>http://raagarasika.podbean.com/2009/11/11/episode-53-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iv/</link>
		<comments>http://raagarasika.podbean.com/2009/11/11/episode-53-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iv/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 16:30:43 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/11/11/episode-53-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iv/</guid>
		<description><![CDATA[In this episode, we feature Smt. Gayathri Satya from San Francisco Bay Area, California. Smt. Gayathri has sung a Thyagaraja composition &#8220;Vinayakuni&#8221; in the raaga Madhyamavathy and set to Adi tala. Unlike most Thyagaraja compositions which are in praise of Lord Rama, this composition is fairly unique in that it is a Devi (Goddess) kriti. [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we feature Smt. Gayathri Satya from San Francisco Bay Area, California. Smt. Gayathri has sung a Thyagaraja composition &#8220;Vinayakuni&#8221; in the raaga Madhyamavathy and set to Adi tala. Unlike most Thyagaraja compositions which are in praise of Lord Rama, this composition is fairly unique in that it is a Devi (Goddess) kriti. Vidya provides examples of other compositions by the Trinity in this majestic raga.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/urq6n/raagarasika53.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/11/11/episode-53-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iv/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/urq6n/raagarasika53.mp3" length="11099807" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we feature Smt. Gayathri Satya from San Francisco Bay Area, California. Smt. Gayathri has sung a Thyagaraja composition "Vinayakuni" in the raaga ...</itunes:subtitle>
		<itunes:summary>In this episode, we feature Smt. Gayathri Satya from San Francisco Bay Area, California. Smt. Gayathri has sung a Thyagaraja composition "Vinayakuni" in the raaga Madhyamavathy and set to Adi tala. Unlike most Thyagaraja compositions which are in praise of Lord Rama, this composition is fairly unique in that it is a Devi (Goddess) kriti. Vidya provides examples of other compositions by the Trinity in this majestic raga.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>submissions,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 52: Special Rasikas’ Voice With Listener Renditions &#8212; Part III</title>
		<link>http://raagarasika.podbean.com/2009/11/03/episode-52-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iii/</link>
		<comments>http://raagarasika.podbean.com/2009/11/03/episode-52-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iii/#comments</comments>
		<pubDate>Tue, 03 Nov 2009 04:51:53 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/11/03/episode-52-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iii/</guid>
		<description><![CDATA[In this episode, we feature a submission by our listener Sri. Aren Skalman, from San Diego, California. Aren submitted a swarajati: Raara Venu in raaga Bilahari and Adi tala. Vidya elaborates on swarajatis. She also shares with us an example from a complex and involved Swarajati by Sri. Shyama Shastri in the raaga Yadukulakambhoji. We [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we feature a submission by our listener Sri. Aren Skalman, from San Diego, California. Aren submitted a swarajati: Raara Venu in raaga Bilahari and Adi tala. Vidya elaborates on swarajatis. She also shares with us an example from a complex and involved Swarajati by Sri. Shyama Shastri in the raaga Yadukulakambhoji. We wrap up the episode with a rendition of Thyagaraja’s Raaka Sashivadana in raaga Takka and Adi tala by Smt. Padma Govardhan, from Auckland, New Zealand.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/9tpmxf/raagarasika52.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/11/03/episode-52-special-rasikas%e2%80%99-voice-with-listener-renditions-part-iii/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/9tpmxf/raagarasika52.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we feature a submission by our listener Sri. Aren Skalman, from San Diego, California. Aren submitted a swarajati: Raara Venu in raaga ...</itunes:subtitle>
		<itunes:summary>In this episode, we feature a submission by our listener Sri. Aren Skalman, from San Diego, California. Aren submitted a swarajati: Raara Venu in raaga Bilahari and Adi tala. Vidya elaborates on swarajatis. She also shares with us an example from a complex and involved Swarajati by Sri. Shyama Shastri in the raaga Yadukulakambhoji. We wrap up the episode with a rendition of Thyagaraja’s Raaka Sashivadana in raaga Takka and Adi tala by Smt. Padma Govardhan, from Auckland, New Zealand.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>rasikas voice,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 51: Special Rasikas’ Voice With Listener Renditions &#8212; Part II</title>
		<link>http://raagarasika.podbean.com/2009/10/23/episode-51-special-rasikas%e2%80%99-voice-with-listener-renditions-part-ii/</link>
		<comments>http://raagarasika.podbean.com/2009/10/23/episode-51-special-rasikas%e2%80%99-voice-with-listener-renditions-part-ii/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 20:13:26 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/10/23/episode-51-special-rasikas%e2%80%99-voice-with-listener-renditions-part-ii/</guid>
		<description><![CDATA[Continuing on with the listener submitted renditions, we feature a submission by Sri. Shashank Shridar, a 3rd grader from Pennsylvania, USA. Shashank submitted a Papanasam Sivan composition: Maaramanan Umaramanan, in Hindolam raaga and Roopaka tala. Vidya sings snippets from other popular compositions in raaga Hindolam. We wrap up the episode with a discussion on the [...]]]></description>
			<content:encoded><![CDATA[<div>Continuing on with the listener submitted renditions, we feature a submission by Sri. Shashank Shridar, a 3rd grader from Pennsylvania, USA. Shashank submitted a Papanasam Sivan composition: Maaramanan Umaramanan, in Hindolam raaga and Roopaka tala. Vidya sings snippets from other popular compositions in raaga Hindolam. We wrap up the episode with a discussion on the mood created by the notes in this raaga.</div>
<br/><a href="http://raagarasika.podbean.com/mf/web/t24p2/raagarasika51.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/10/23/episode-51-special-rasikas%e2%80%99-voice-with-listener-renditions-part-ii/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/t24p2/raagarasika51.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>Continuing on with the listener submitted renditions, we feature a submission by Sri. Shashank Shridar, a 3rd grader from Pennsylvania, USA. Shashank submitted a Papanasam ...</itunes:subtitle>
		<itunes:summary>Continuing on with the listener submitted renditions, we feature a submission by Sri. Shashank Shridar, a 3rd grader from Pennsylvania, USA. Shashank submitted a Papanasam Sivan composition: Maaramanan Umaramanan, in Hindolam raaga and Roopaka tala. Vidya sings snippets from other popular compositions in raaga Hindolam. We wrap up the episode with a discussion on the mood created by the notes in this raaga.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>rasikas voice,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 50: Special Rasikas’ Voice With Listener Renditions &#8212; Part 1</title>
		<link>http://raagarasika.podbean.com/2009/10/16/episode-50-special-rasikas%e2%80%99-voice-with-listener-renditions-part-1/</link>
		<comments>http://raagarasika.podbean.com/2009/10/16/episode-50-special-rasikas%e2%80%99-voice-with-listener-renditions-part-1/#comments</comments>
		<pubDate>Fri, 16 Oct 2009 14:55:35 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/10/16/episode-50-special-rasikas%e2%80%99-voice-with-listener-renditions-part-1/</guid>
		<description><![CDATA[Happy Deepavali! We have received an excellent response to our call for listener submissions. We really appreciate your involvement and enjoyed listening to each submission. Given the response, we will be spreading the submissions as well as our discussion on each selected entry across the next few episodes. In Part I, we feature submissions by: [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">Happy Deepavali! We have received an excellent response to our call for listener submissions. We really appreciate your involvement and enjoyed listening to each submission. Given the response, we will be spreading the submissions as well as our discussion on each selected entry across the next few episodes. In Part I, we feature submissions by: Kum. Ashraya Ananthanarayan who sent in a Tyagaraja composition in Bangala raaga, Adi tala and Smt. Durga Krishnan who submitted a thanam on veena in two raagas &#8212; Hamsanandi and Kalyani.</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/7yhzp8/raagarasika50.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/10/16/episode-50-special-rasikas%e2%80%99-voice-with-listener-renditions-part-1/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/7yhzp8/raagarasika50.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>Happy Deepavali! We have received an excellent response to our call for listener submissions. We really appreciate your involvement and enjoyed listening to each submission. ...</itunes:subtitle>
		<itunes:summary>Happy Deepavali! We have received an excellent response to our call for listener submissions. We really appreciate your involvement and enjoyed listening to each submission. Given the response, we will be spreading the submissions as well as our discussion on each selected entry across the next few episodes. In Part I, we feature submissions by: Kum. Ashraya Ananthanarayan who sent in a Tyagaraja composition in Bangala raaga, Adi tala and Smt. Durga Krishnan who submitted a thanam on veena in two raagas -- Hamsanandi and Kalyani.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>submissions,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 49: Relevance of Arohanam and Avarohanam in Defining a Raaga&#8217;s Structure</title>
		<link>http://raagarasika.podbean.com/2009/09/30/episode-49-relevance-of-arohanam-and-avarohanam-in-defining-a-raagas-structure/</link>
		<comments>http://raagarasika.podbean.com/2009/09/30/episode-49-relevance-of-arohanam-and-avarohanam-in-defining-a-raagas-structure/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 02:03:50 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/09/30/episode-49-relevance-of-arohanam-and-avarohanam-in-defining-a-raagas-structure/</guid>
		<description><![CDATA[We wrap up our introductory series on Arohanam and Avarohanam with a discussion on whether or not raagas are entirely and solely defined by their corresponding ascending and descending scales. Using examples of raagas such as Reetigowlai, Madhyamavati, and Hamsaroopini, Vidya highlights the varying degrees in which textbook definitions of Arohanam and Avarohanam may (or may not) help understand the form [...]]]></description>
			<content:encoded><![CDATA[<p>We wrap up our introductory series on <span>Arohanam</span> and <span>Avarohanam</span> with a discussion on whether or not <span>raagas</span> are entirely and solely defined by their corresponding ascending and descending scales. Using examples of <span>raagas</span> such as <span>Reetigowlai</span>, <span>Madhyamavati</span>, and <span>Hamsaroopini</span>, Vidya highlights the varying degrees in which textbook definitions of <span>Arohanam</span> and <span>Avarohanam</span> may (or may not) help understand the form of individual <span>raagas</span>.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/262gud/raagarasika49.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/09/30/episode-49-relevance-of-arohanam-and-avarohanam-in-defining-a-raagas-structure/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/262gud/raagarasika49.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We wrap up our introductory series on Arohanam and Avarohanam with a discussion on whether or not raagas are entirely and solely defined by their ...</itunes:subtitle>
		<itunes:summary>We wrap up our introductory series on Arohanam and Avarohanam with a discussion on whether or not raagas are entirely and solely defined by their corresponding ascending and descending scales. Using examples of raagas such as Reetigowlai, Madhyamavati, and Hamsaroopini, Vidya highlights the varying degrees in which textbook definitions of Arohanam and Avarohanam may (or may not) help understand the form of individual raagas.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 48: Carnatic Music Terms Defined: Types of Raagas – Audava, Shadava, Sampoorna, Krama, Vakra</title>
		<link>http://raagarasika.podbean.com/2009/09/18/episode-48-carnatic-music-terms-defined-types-of-raagas-%e2%80%93-audava-shadava-sampoorna-krama-vakra/</link>
		<comments>http://raagarasika.podbean.com/2009/09/18/episode-48-carnatic-music-terms-defined-types-of-raagas-%e2%80%93-audava-shadava-sampoorna-krama-vakra/#comments</comments>
		<pubDate>Fri, 18 Sep 2009 14:04:05 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/09/18/episode-48-carnatic-music-terms-defined-types-of-raagas-%e2%80%93-audava-shadava-sampoorna-krama-vakra/</guid>
		<description><![CDATA[We continue our discussion regarding arohanam and avarohanam, and define several terms commonly used in Carnatic music to describe raagas. With several examples and illustrations, Vidya elaborates on terms such as Audava, Shadava, Sampoorna, Krama, Vakra, Varja, Melakarta and Bhashanga, and describes how a raaga can frequently represent a combination of these attributes.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We continue our discussion regarding arohanam and avarohanam, and define several terms commonly used in Carnatic music to describe raagas. With several examples and illustrations, Vidya elaborates on terms such as Audava, Shadava, Sampoorna, Krama, Vakra, Varja, Melakarta and Bhashanga, and describes how a raaga can frequently represent a combination of these attributes.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/ttyiq3/raagarasika48.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/09/18/episode-48-carnatic-music-terms-defined-types-of-raagas-%e2%80%93-audava-shadava-sampoorna-krama-vakra/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/ttyiq3/raagarasika48.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our discussion regarding arohanam and avarohanam, and define several terms commonly used in Carnatic music to describe raagas. With several examples and illustrations, ...</itunes:subtitle>
		<itunes:summary>We continue our discussion regarding arohanam and avarohanam, and define several terms commonly used in Carnatic music to describe raagas. With several examples and illustrations, Vidya elaborates on terms such as Audava, Shadava, Sampoorna, Krama, Vakra, Varja, Melakarta and Bhashanga, and describes how a raaga can frequently represent a combination of these attributes.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 47: Carnatic Terms Defined: Arohanam and Avarohanam</title>
		<link>http://raagarasika.podbean.com/2009/09/09/episode-47-carnatic-terms-defined-arohanam-and-avarohanam/</link>
		<comments>http://raagarasika.podbean.com/2009/09/09/episode-47-carnatic-terms-defined-arohanam-and-avarohanam/#comments</comments>
		<pubDate>Wed, 09 Sep 2009 23:51:05 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/09/09/episode-47-carnatic-terms-defined-arohanam-and-avarohanam/</guid>
		<description><![CDATA[In this episode, we discuss two very familiar terms in Carnatic music: Arohanam refers to the ascending scale and avarohanam refers to the descending scale. Vidya shares some examples of raagas to discuss kinds of arohanam and avarohanam in terms of number of swarams and the impact of this on the phrases that are permitted. [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we discuss two very familiar terms in Carnatic music: Arohanam refers to the ascending scale and avarohanam refers to the descending scale. Vidya shares some examples of raagas to discuss kinds of arohanam and avarohanam in terms of number of swarams and the impact of this on the phrases that are permitted. Finally, we discuss how the importance of the arohanam and avarohanam varies from one raaga to another as raagas continue to evolve over time.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/a2asz3/raagarasika47.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/09/09/episode-47-carnatic-terms-defined-arohanam-and-avarohanam/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/a2asz3/raagarasika47.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we discuss two very familiar terms in Carnatic music: Arohanam refers to the ascending scale and avarohanam refers to the descending scale. ...</itunes:subtitle>
		<itunes:summary>In this episode, we discuss two very familiar terms in Carnatic music: Arohanam refers to the ascending scale and avarohanam refers to the descending scale. Vidya shares some examples of raagas to discuss kinds of arohanam and avarohanam in terms of number of swarams and the impact of this on the phrases that are permitted. Finally, we discuss how the importance of the arohanam and avarohanam varies from one raaga to another as raagas continue to evolve over time.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 46: Introduction to Chapu Talams</title>
		<link>http://raagarasika.podbean.com/2009/08/25/episode-46-introduction-to-chapu-talams/</link>
		<comments>http://raagarasika.podbean.com/2009/08/25/episode-46-introduction-to-chapu-talams/#comments</comments>
		<pubDate>Wed, 26 Aug 2009 03:35:04 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/08/25/episode-46-introduction-to-chapu-talams/</guid>
		<description><![CDATA[We conclude our introductory series on talams, with a discussion on two chapu talams: misra chapu talam and kanda chapu talam. Vidya illustrates these talams using snippets from concert recordings of master musicians Smt. Brinda and Smt. Mukta; and Smt. D. K. Pattammal.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We conclude our introductory series on talams, with a discussion on two chapu talams: misra chapu talam and kanda chapu talam. Vidya illustrates these talams using snippets from concert recordings of master musicians Smt. Brinda and Smt. Mukta; and Smt. D. K. Pattammal.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/mi4wg/raagarasika46.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/08/25/episode-46-introduction-to-chapu-talams/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/mi4wg/raagarasika46.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We conclude our introductory series on talams, with a discussion on two chapu talams: misra chapu talam and kanda chapu talam. Vidya illustrates these talams ...</itunes:subtitle>
		<itunes:summary>We conclude our introductory series on talams, with a discussion on two chapu talams: misra chapu talam and kanda chapu talam. Vidya illustrates these talams using snippets from concert recordings of master musicians Smt. Brinda and Smt. Mukta; and Smt. D. K. Pattammal.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 45: Introduction to Adi tala and Rupaka tala</title>
		<link>http://raagarasika.podbean.com/2009/08/15/episode-45-introduction-to-adi-tala-and-rupaka-tala/</link>
		<comments>http://raagarasika.podbean.com/2009/08/15/episode-45-introduction-to-adi-tala-and-rupaka-tala/#comments</comments>
		<pubDate>Sat, 15 Aug 2009 16:06:56 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/08/15/episode-45-introduction-to-adi-tala-and-rupaka-tala/</guid>
		<description><![CDATA[We continue our discussions of talas from the previous episode and name the seven basic talas in Carnatic music. Vidya highlights two very common talas: Rupaka tala and the Adi tala. She then explains the angas that make up these talas, and illustrates these with snippets from concert recordings of master musicians Sri G. N. [...]]]></description>
			<content:encoded><![CDATA[<p>We continue our discussions of talas from the previous episode and name the seven basic talas in Carnatic music. Vidya highlights two very common talas: Rupaka tala and the Adi tala. She then explains the angas that make up these talas, and illustrates these with snippets from concert recordings of master musicians Sri G. N. Balasubramaniam and Smt. M. S. Subbulakshmi.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/2ki2c7/raagarasika45.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/08/15/episode-45-introduction-to-adi-tala-and-rupaka-tala/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/2ki2c7/raagarasika45.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our discussions of talas from the previous episode and name the seven basic talas in Carnatic music. Vidya highlights two very common talas: ...</itunes:subtitle>
		<itunes:summary>We continue our discussions of talas from the previous episode and name the seven basic talas in Carnatic music. Vidya highlights two very common talas: Rupaka tala and the Adi tala. She then explains the angas that make up these talas, and illustrates these with snippets from concert recordings of master musicians Sri G. N. Balasubramaniam and Smt. M. S. Subbulakshmi.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>carnatic terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 44: Carnatic Music Terms Defined &#8212; Laya, Kala, and Tala</title>
		<link>http://raagarasika.podbean.com/2009/08/05/episode-44-carnatic-music-terms-defined-laya-kala-and-tala/</link>
		<comments>http://raagarasika.podbean.com/2009/08/05/episode-44-carnatic-music-terms-defined-laya-kala-and-tala/#comments</comments>
		<pubDate>Wed, 05 Aug 2009 04:07:27 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/08/05/episode-44-carnatic-music-terms-defined-laya-kala-and-tala/</guid>
		<description><![CDATA[In this episode, we introduce the fundamentals of rhythm. Vidya explains how rhythm manifests itself in Carnatic music and discusses terms such as laya, kala, and tala. We finish this episode by defining the basic constituents of tala, called &#8220;angas&#8221;.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In this episode, we introduce the fundamentals of rhythm. Vidya explains how rhythm manifests itself in Carnatic music and discusses terms such as laya, kala, and tala. We finish this episode by defining the basic constituents of tala, called &#8220;angas&#8221;.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/7jggfh/raagarasika44.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/08/05/episode-44-carnatic-music-terms-defined-laya-kala-and-tala/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/7jggfh/raagarasika44.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we introduce the fundamentals of rhythm. Vidya explains how rhythm manifests itself in Carnatic music and discusses terms such as laya, kala, ...</itunes:subtitle>
		<itunes:summary>In this episode, we introduce the fundamentals of rhythm. Vidya explains how rhythm manifests itself in Carnatic music and discusses terms such as laya, kala, and tala. We finish this episode by defining the basic constituents of tala, called "angas".Download Standard Podcasts</itunes:summary>
		<itunes:keywords>terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 43: Featured Composition &#8212; Maamava Meenakshi Part II</title>
		<link>http://raagarasika.podbean.com/2009/07/26/episode-43-featured-composition-maamava-meenakshi-part-ii/</link>
		<comments>http://raagarasika.podbean.com/2009/07/26/episode-43-featured-composition-maamava-meenakshi-part-ii/#comments</comments>
		<pubDate>Sun, 26 Jul 2009 16:53:39 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/07/26/episode-43-featured-composition-maamava-meenakshi-part-ii/</guid>
		<description><![CDATA[In this segment, we look at the some more of the highlights of this short yet marvelous composition. Vidya uses this composition to showcase some of the salient phrases of this raaga and also illustrates the concept of improvisation known as “Neraval” in Carnatic music.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In this segment, we look at the some more of the highlights of this short yet marvelous composition. Vidya uses this composition to showcase some of the salient phrases of this raaga and also illustrates the concept of improvisation known as “Neraval” in Carnatic music.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/av2wb6/raagarasika43.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/07/26/episode-43-featured-composition-maamava-meenakshi-part-ii/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/av2wb6/raagarasika43.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this segment, we look at the some more of the highlights of this short yet marvelous composition. Vidya uses this composition to showcase some ...</itunes:subtitle>
		<itunes:summary>In this segment, we look at the some more of the highlights of this short yet marvelous composition. Vidya uses this composition to showcase some of the salient phrases of this raaga and also illustrates the concept of improvisation known as “Neraval” in Carnatic music.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured composition,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 42: Featured Place — Madurai  &#038; Featured Composition &#8212; Maamava Meenakshi Part I</title>
		<link>http://raagarasika.podbean.com/2009/07/16/episode-42-featured-place-%e2%80%94-madurai-featured-composition-maamava-meenakshi-part-i/</link>
		<comments>http://raagarasika.podbean.com/2009/07/16/episode-42-featured-place-%e2%80%94-madurai-featured-composition-maamava-meenakshi-part-i/#comments</comments>
		<pubDate>Thu, 16 Jul 2009 05:26:24 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/07/16/episode-42-featured-place-%e2%80%94-madurai-featured-composition-maamava-meenakshi-part-i/</guid>
		<description><![CDATA[In this episode, we feature a popular composition &#8220;Maamava Meenakshi&#8221;, by Sri. Muthusamy Dikshithar in the Raaga Varali. We begin this episode by talking about the history of the temple town of Madurai in South India &#8212; known for the Madurai Meenakshi Amman temple. Vidya walks us through the structure and meaning of this brilliant [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we feature a popular composition &#8220;Maamava Meenakshi&#8221;, by Sri. Muthusamy Dikshithar in the Raaga Varali. We begin this episode by talking about the history of the temple town of Madurai in South India &#8212; known for the Madurai Meenakshi Amman temple. Vidya walks us through the structure and meaning of this brilliant piece.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/9edc7/raagarasika42.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/07/16/episode-42-featured-place-%e2%80%94-madurai-featured-composition-maamava-meenakshi-part-i/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/9edc7/raagarasika42.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we feature a popular composition "Maamava Meenakshi", by Sri. Muthusamy Dikshithar in the Raaga Varali. We begin this episode by talking about ...</itunes:subtitle>
		<itunes:summary>In this episode, we feature a popular composition "Maamava Meenakshi", by Sri. Muthusamy Dikshithar in the Raaga Varali. We begin this episode by talking about the history of the temple town of Madurai in South India -- known for the Madurai Meenakshi Amman temple. Vidya walks us through the structure and meaning of this brilliant piece.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured place,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 41: Analysis of a Ghana Ragamalika Thanam – Part V – Varali Ragam</title>
		<link>http://raagarasika.podbean.com/2009/06/28/episode-41-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-v-%e2%80%93-varali-ragam/</link>
		<comments>http://raagarasika.podbean.com/2009/06/28/episode-41-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-v-%e2%80%93-varali-ragam/#comments</comments>
		<pubDate>Sun, 28 Jun 2009 20:12:35 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/06/28/episode-41-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-v-%e2%80%93-varali-ragam/</guid>
		<description><![CDATA[We finish our analysis of Smt. Veena Dhanammal&#8217;s Raagamalika thanam, by covering the remaining ghana raaga, Varali. Vidya explains how Smt. Dhanammal uses the two common notes between Sri (the previous raaga in the thanam) and Varali to transition from one to the other. Vidya also sings an improvisational segment to illustrate such a transition [...]]]></description>
			<content:encoded><![CDATA[<p>We finish our analysis of Smt. Veena Dhanammal&#8217;s Raagamalika thanam, by covering the remaining ghana raaga, Varali. Vidya explains how Smt. Dhanammal uses the two common notes between Sri (the previous raaga in the thanam) and Varali to transition from one to the other. Vidya also sings an improvisational segment to illustrate such a transition in sharp detail. Finally, Vidya highlights some of the salient aspects of Varali including the unique gandharam.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/p249ph/raagarasika41.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/06/28/episode-41-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-v-%e2%80%93-varali-ragam/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/p249ph/raagarasika41.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We finish our analysis of Smt. Veena Dhanammal's Raagamalika thanam, by covering the remaining ghana raaga, Varali. Vidya explains how Smt. Dhanammal uses the two ...</itunes:subtitle>
		<itunes:summary>We finish our analysis of Smt. Veena Dhanammal's Raagamalika thanam, by covering the remaining ghana raaga, Varali. Vidya explains how Smt. Dhanammal uses the two common notes between Sri (the previous raaga in the thanam) and Varali to transition from one to the other. Vidya also sings an improvisational segment to illustrate such a transition in sharp detail. Finally, Vidya highlights some of the salient aspects of Varali including the unique gandharam.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>raaga,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 40: Analysis of a Ghana Ragamalika Thanam – Part IV – Sri Ragam</title>
		<link>http://raagarasika.podbean.com/2009/06/18/episode-40-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iv-%e2%80%93-sri-ragam/</link>
		<comments>http://raagarasika.podbean.com/2009/06/18/episode-40-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iv-%e2%80%93-sri-ragam/#comments</comments>
		<pubDate>Thu, 18 Jun 2009 07:09:52 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/06/18/episode-40-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iv-%e2%80%93-sri-ragam/</guid>
		<description><![CDATA[We continue our analysis of Smt. Veena Dhanammal&#8217;s Raagamalika thanam. We discuss Sri raagam in this episode and Vidya points out some of the salient aspects of this raaga. Specifically, Vidya elaborates on the unique relationship between the rishabham and gandharam notes in Sri Ragam. She also highlights the key difference between the Thyagaraja and [...]]]></description>
			<content:encoded><![CDATA[<p>We continue our analysis of Smt. Veena Dhanammal&#8217;s Raagamalika thanam. We discuss Sri raagam in this episode and Vidya points out some of the salient aspects of this raaga. Specifically, Vidya elaborates on the unique relationship between the rishabham and gandharam notes in Sri Ragam. She also highlights the key difference between the Thyagaraja and Dikshitar schools in handling this raaga.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/cwr9vd/raagarasika40.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/06/18/episode-40-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iv-%e2%80%93-sri-ragam/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/cwr9vd/raagarasika40.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. We discuss Sri raagam in this episode and Vidya points out some of the salient ...</itunes:subtitle>
		<itunes:summary>We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. We discuss Sri raagam in this episode and Vidya points out some of the salient aspects of this raaga. Specifically, Vidya elaborates on the unique relationship between the rishabham and gandharam notes in Sri Ragam. She also highlights the key difference between the Thyagaraja and Dikshitar schools in handling this raaga.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>raaga,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 39: Analysis of a Ghana Ragamalika Thanam – Part III &#8212; Arabhi</title>
		<link>http://raagarasika.podbean.com/2009/06/08/episode-39-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iii-arabhi/</link>
		<comments>http://raagarasika.podbean.com/2009/06/08/episode-39-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iii-arabhi/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 18:51:23 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/06/08/episode-39-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iii-arabhi/</guid>
		<description><![CDATA[We continue our analysis of Smt. Veena Dhanammal&#8217;s Raagamalika thanam. The third and fourth raaga she plays are Arabhi and Sri, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to highlight Arabhi raagam. Vidya also touches upon a couple of key differences between Arabhi and its closely allied raaga, Sama. Finally, we [...]]]></description>
			<content:encoded><![CDATA[<p>We continue our analysis of Smt. Veena Dhanammal&#8217;s Raagamalika thanam. The third and fourth raaga she plays are Arabhi and Sri, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to highlight Arabhi raagam. Vidya also touches upon a couple of key differences between Arabhi and its closely allied raaga, Sama. Finally, we finish this segment by reviewing the transition from Arabhi to Sri.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/ac6ee3/raagarasika39.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/06/08/episode-39-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-iii-arabhi/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/ac6ee3/raagarasika39.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. The third and fourth raaga she plays are Arabhi and Sri, respectively. Vidya points out ...</itunes:subtitle>
		<itunes:summary>We continue our analysis of Smt. Veena Dhanammal's Raagamalika thanam. The third and fourth raaga she plays are Arabhi and Sri, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to highlight Arabhi raagam. Vidya also touches upon a couple of key differences between Arabhi and its closely allied raaga, Sama. Finally, we finish this segment by reviewing the transition from Arabhi to Sri.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>raaga,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 38: Analysis of a Ghana Ragamalika Thanam – Part II &#8212; Gowlai</title>
		<link>http://raagarasika.podbean.com/2009/05/24/episode-38-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-ii-gowlai/</link>
		<comments>http://raagarasika.podbean.com/2009/05/24/episode-38-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-ii-gowlai/#comments</comments>
		<pubDate>Sun, 24 May 2009 15:59:17 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/05/24/episode-38-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-ii-gowlai/</guid>
		<description><![CDATA[In this episode, we continue our exploration of the Raagamalika thanam rendition by Smt. Veena Dhanammal. The second and third raaga she plays are Gowlai and Arabhi, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to transition from Nattai to Gowlai, and also elaborates on several important Gowlai phrases that Smt. Veena [...]]]></description>
			<content:encoded><![CDATA[<div>In this episode, we continue our exploration of the Raagamalika thanam rendition by Smt. Veena Dhanammal. The second and third raaga she plays are Gowlai and Arabhi, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to transition from Nattai to Gowlai, and also elaborates on several important Gowlai phrases that Smt. Veena Dhanammal uses. Finally, we finish this segment by reviewing the transition from Gowlai to Arabhi.</div>
<br/><a href="http://raagarasika.podbean.com/mf/web/dnu38g/raagarasika38.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/05/24/episode-38-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-ii-gowlai/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/dnu38g/raagarasika38.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we continue our exploration of the Raagamalika thanam rendition by Smt. Veena Dhanammal. The second and third raaga she plays are Gowlai ...</itunes:subtitle>
		<itunes:summary>In this episode, we continue our exploration of the Raagamalika thanam rendition by Smt. Veena Dhanammal. The second and third raaga she plays are Gowlai and Arabhi, respectively. Vidya points out the specific phrases Smt. Veena Dhanammal uses to transition from Nattai to Gowlai, and also elaborates on several important Gowlai phrases that Smt. Veena Dhanammal uses. Finally, we finish this segment by reviewing the transition from Gowlai to Arabhi.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>raaga,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 37: Analysis of a Ghana Ragamalika Thanam – Part I &#8212; Nattai</title>
		<link>http://raagarasika.podbean.com/2009/05/11/episode-37-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-i-nattai/</link>
		<comments>http://raagarasika.podbean.com/2009/05/11/episode-37-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-i-nattai/#comments</comments>
		<pubDate>Mon, 11 May 2009 07:49:29 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/05/11/episode-37-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-i-nattai/</guid>
		<description><![CDATA[In this episode, we delve deeper into the Raagamalika thanam rendition by Smt. Veena Dhanammal. The first raaga she plays is the Raaga Nattai. Vidya elaborates on several important phrases and detailed nuances that Smt. Veena Dhanammal masterfully packed into a one minute snippet.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In this episode, we delve deeper into the Raagamalika thanam rendition by Smt. Veena Dhanammal. The first raaga she plays is the Raaga Nattai. Vidya elaborates on several important phrases and detailed nuances that Smt. Veena Dhanammal masterfully packed into a one minute snippet.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/5xtxpw/raagarasika37.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/05/11/episode-37-analysis-of-a-ghana-ragamalika-thanam-%e2%80%93-part-i-nattai/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/5xtxpw/raagarasika37.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we delve deeper into the Raagamalika thanam rendition by Smt. Veena Dhanammal. The first raaga she plays is the Raaga Nattai. Vidya ...</itunes:subtitle>
		<itunes:summary>In this episode, we delve deeper into the Raagamalika thanam rendition by Smt. Veena Dhanammal. The first raaga she plays is the Raaga Nattai. Vidya elaborates on several important phrases and detailed nuances that Smt. Veena Dhanammal masterfully packed into a one minute snippet.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured raaga,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 36: Featured Person &#8212; Smt. Veena Dhanammal</title>
		<link>http://raagarasika.podbean.com/2009/04/27/episode-36-featured-person-smt-veena-dhanammal/</link>
		<comments>http://raagarasika.podbean.com/2009/04/27/episode-36-featured-person-smt-veena-dhanammal/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 19:36:07 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/04/27/episode-36-featured-person-smt-veena-dhanammal/</guid>
		<description><![CDATA[In the last segment, we heard a veena rendition by Smt. Veena Dhanammal. In this episode, we discuss her life, times, and contributions to the world of Carnatic music. Vidya shares with us additional details regarding the snippet we heard in the last episode - a raagamalika thanam in the five ghana raagas. We also [...]]]></description>
			<content:encoded><![CDATA[<p>In the last segment, we heard a veena rendition by Smt. Veena Dhanammal. In this episode, we discuss her life, times, and contributions to the world of Carnatic music. Vidya shares with us additional details regarding the snippet we heard in the last episode - a raagamalika thanam in the five ghana raagas. We also discuss the term “ghana raagas”.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/w3wzev/raagarasika36.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/04/27/episode-36-featured-person-smt-veena-dhanammal/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/w3wzev/raagarasika36.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In the last segment, we heard a veena rendition by Smt. Veena Dhanammal. In this episode, we discuss her life, times, and contributions to the ...</itunes:subtitle>
		<itunes:summary>In the last segment, we heard a veena rendition by Smt. Veena Dhanammal. In this episode, we discuss her life, times, and contributions to the world of Carnatic music. Vidya shares with us additional details regarding the snippet we heard in the last episode - a raagamalika thanam in the five ghana raagas. We also discuss the term “ghana raagas”.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured person,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 35: Featured Instrument &#8212; Veena: Part II</title>
		<link>http://raagarasika.podbean.com/2009/04/14/episode-35-featured-instrument-veena-part-ii/</link>
		<comments>http://raagarasika.podbean.com/2009/04/14/episode-35-featured-instrument-veena-part-ii/#comments</comments>
		<pubDate>Wed, 15 Apr 2009 03:52:47 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/04/14/episode-35-featured-instrument-veena-part-ii/</guid>
		<description><![CDATA[We conclude our two-part series on the Veena in this segment. We discuss the physical structure of the veena, how and where it is made, as well as how it is played. Finally, we share with you a snippet of a thaanam rendition by a very renowned vainika (veena player), Smt. Veena Dhanammal.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We conclude our two-part series on the Veena in this segment. We discuss the physical structure of the veena, how and where it is made, as well as how it is played. Finally, we share with you a snippet of a thaanam rendition by a very renowned vainika (veena player), Smt. Veena Dhanammal.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/hqnjj2/raagarasika35.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/04/14/episode-35-featured-instrument-veena-part-ii/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/hqnjj2/raagarasika35.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We conclude our two-part series on the Veena in this segment. We discuss the physical structure of the veena, how and where it is made, ...</itunes:subtitle>
		<itunes:summary>We conclude our two-part series on the Veena in this segment. We discuss the physical structure of the veena, how and where it is made, as well as how it is played. Finally, we share with you a snippet of a thaanam rendition by a very renowned vainika (veena player), Smt. Veena Dhanammal.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>instrument,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 34: Featured Instrument &#8212; Veena Part I</title>
		<link>http://raagarasika.podbean.com/2009/04/02/episode-34-featured-instrument-veena-part-i/</link>
		<comments>http://raagarasika.podbean.com/2009/04/02/episode-34-featured-instrument-veena-part-i/#comments</comments>
		<pubDate>Thu, 02 Apr 2009 21:20:41 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/04/02/episode-34-featured-instrument-veena-part-i/</guid>
		<description><![CDATA[In this segment, we feature the Veena, a plucked string instrument unique to Carnatic music. We discuss the revered status given to this instrument in the Hindu tradition. The veena is mentioned in several Carnatic music compositions. Vidya renders a few snippets of compositions that have references to the veena.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In this segment, we feature the Veena, a plucked string instrument unique to Carnatic music. We discuss the revered status given to this instrument in the Hindu tradition. The veena is mentioned in several Carnatic music compositions. Vidya renders a few snippets of compositions that have references to the veena.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/mrnvv4/raagarasika34.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/04/02/episode-34-featured-instrument-veena-part-i/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/mrnvv4/raagarasika34.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this segment, we feature the Veena, a plucked string instrument unique to Carnatic music. We discuss the revered status given to this instrument in ...</itunes:subtitle>
		<itunes:summary>In this segment, we feature the Veena, a plucked string instrument unique to Carnatic music. We discuss the revered status given to this instrument in the Hindu tradition. The veena is mentioned in several Carnatic music compositions. Vidya renders a few snippets of compositions that have references to the veena.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>instruments,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 33: Rasikas&#8217; Voice &#8212; Your Letters and Questions</title>
		<link>http://raagarasika.podbean.com/2009/03/26/episode-33-rasikas-voice-your-letters-and-questions/</link>
		<comments>http://raagarasika.podbean.com/2009/03/26/episode-33-rasikas-voice-your-letters-and-questions/#comments</comments>
		<pubDate>Thu, 26 Mar 2009 05:43:11 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/03/26/episode-33-rasikas-voice-your-letters-and-questions/</guid>
		<description><![CDATA[In this episode, we would like to share some of the feedback we have been getting so far and answer some of your questions. We also give the answer to the Raaga Quiz: Mukhari vs. Bhairavi featured in Episode 28 and recognize listeners who submitted correct entries. Thanks a lot for all your comments and [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we would like to share some of the feedback we have been getting so far and answer some of your questions. We also give the answer to the Raaga Quiz: Mukhari vs. Bhairavi featured in Episode 28 and recognize listeners who submitted correct entries. Thanks a lot for all your comments and enthusiastic support. We really appreciate it!
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/8pehu/raagarasika33.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/03/26/episode-33-rasikas-voice-your-letters-and-questions/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/8pehu/raagarasika33.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we would like to share some of the feedback we have been getting so far and answer some of your questions. We ...</itunes:subtitle>
		<itunes:summary>In this episode, we would like to share some of the feedback we have been getting so far and answer some of your questions. We also give the answer to the Raaga Quiz: Mukhari vs. Bhairavi featured in Episode 28 and recognize listeners who submitted correct entries. Thanks a lot for all your comments and enthusiastic support. We really appreciate it!Download Standard Podcasts</itunes:summary>
		<itunes:keywords>rasikas voice,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 32: Featured Composition – Alaavadennaalo Part II</title>
		<link>http://raagarasika.podbean.com/2009/03/17/episode-32-featured-composition-%e2%80%93-alaavadennaalo-part-ii/</link>
		<comments>http://raagarasika.podbean.com/2009/03/17/episode-32-featured-composition-%e2%80%93-alaavadennaalo-part-ii/#comments</comments>
		<pubDate>Tue, 17 Mar 2009 06:11:50 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/03/17/episode-32-featured-composition-%e2%80%93-alaavadennaalo-part-ii/</guid>
		<description><![CDATA[In this episode, we shift the focus to the multiple final segments (Charanams) of the composition. By singing several snippets of this composition, Vidya illustrates its distinct aspects in a detailed fashion. We discuss the rhythmic and melodic structure of this gem. We also define the rhythmic term, “eduppu” and describe the different kinds of [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we shift the focus to the multiple final segments (Charanams) of the composition. By singing several snippets of this composition, Vidya illustrates its distinct aspects in a detailed fashion. We discuss the rhythmic and melodic structure of this gem. We also define the rhythmic term, “eduppu” and describe the different kinds of “eduppu”.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/dx8mgc/raagarasika32.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/03/17/episode-32-featured-composition-%e2%80%93-alaavadennaalo-part-ii/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/dx8mgc/raagarasika32.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we shift the focus to the multiple final segments (Charanams) of the composition. By singing several snippets of this composition, Vidya illustrates ...</itunes:subtitle>
		<itunes:summary>In this episode, we shift the focus to the multiple final segments (Charanams) of the composition. By singing several snippets of this composition, Vidya illustrates its distinct aspects in a detailed fashion. We discuss the rhythmic and melodic structure of this gem. We also define the rhythmic term, “eduppu” and describe the different kinds of “eduppu”.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>composition,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 31: Featured Composition – Alaavadennaalo Part I</title>
		<link>http://raagarasika.podbean.com/2009/03/07/episode-31-featured-composition-%e2%80%93-alaavadennaalo-part-i/</link>
		<comments>http://raagarasika.podbean.com/2009/03/07/episode-31-featured-composition-%e2%80%93-alaavadennaalo-part-i/#comments</comments>
		<pubDate>Sat, 07 Mar 2009 19:32:20 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/03/07/episode-31-featured-composition-%e2%80%93-alaavadennaalo-part-i/</guid>
		<description><![CDATA[In this episode we feature a composition by Sri. Oothukaadu Venkatakavi. The composition &#8220;Alaavadennaalo&#8221;, in Raaga Paras, is one of his Saptaratna kritis.  We introduce the ragam Paras and mention some well known compositions in this ragam. This is a masterful piece that brings together a deep sense of devotion and humility, superb lyrics, and [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode we feature a composition by Sri. Oothukaadu Venkatakavi. The composition &#8220;Alaavadennaalo&#8221;, in Raaga Paras, is one of his Saptaratna kritis.  We introduce the ragam Paras and mention some well known compositions in this ragam. This is a masterful piece that brings together a deep sense of devotion and humility, superb lyrics, and incredible compositional structure. We discuss in detail the first two segments of this composition (i.e., the Pallavi and the Anupallavi).
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/9j64b4/raagarasika31.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/03/07/episode-31-featured-composition-%e2%80%93-alaavadennaalo-part-i/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/9j64b4/raagarasika31.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode we feature a composition by Sri. Oothukaadu Venkatakavi. The composition "Alaavadennaalo", in Raaga Paras, is one of his Saptaratna kritis.  We introduce ...</itunes:subtitle>
		<itunes:summary>In this episode we feature a composition by Sri. Oothukaadu Venkatakavi. The composition "Alaavadennaalo", in Raaga Paras, is one of his Saptaratna kritis.  We introduce the ragam Paras and mention some well known compositions in this ragam. This is a masterful piece that brings together a deep sense of devotion and humility, superb lyrics, and incredible compositional structure. We discuss in detail the first two segments of this composition (i.e., the Pallavi and the Anupallavi).Download Standard Podcasts</itunes:summary>
		<itunes:keywords>compositions,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 30: Sri. Oothukadu Ventakakavi&#8217;s Compositional Style</title>
		<link>http://raagarasika.podbean.com/2009/02/23/episode-30-sri-oothukadu-ventakakavis-compositional-style/</link>
		<comments>http://raagarasika.podbean.com/2009/02/23/episode-30-sri-oothukadu-ventakakavis-compositional-style/#comments</comments>
		<pubDate>Tue, 24 Feb 2009 01:50:34 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/02/23/episode-30-sri-oothukadu-ventakakavis-compositional-style/</guid>
		<description><![CDATA[We continue our conversation from the last episode, and discuss Sri. Oothukadu&#8217;s musical mastery, highlighting his rhythmic prowess as well as poetic genius. Vidya illustrates salient aspects of his compositional style using examples drawn from his compositions, including the universally popular Alaipayudhe Kanna.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We continue our conversation from the last episode, and discuss Sri. Oothukadu&#8217;s musical mastery, highlighting his rhythmic prowess as well as poetic genius. Vidya illustrates salient aspects of his compositional style using examples drawn from his compositions, including the universally popular Alaipayudhe Kanna.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/skbzyt/raagarasika30.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/02/23/episode-30-sri-oothukadu-ventakakavis-compositional-style/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/skbzyt/raagarasika30.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our conversation from the last episode, and discuss Sri. Oothukadu's musical mastery, highlighting his rhythmic prowess as well as poetic genius. Vidya illustrates ...</itunes:subtitle>
		<itunes:summary>We continue our conversation from the last episode, and discuss Sri. Oothukadu's musical mastery, highlighting his rhythmic prowess as well as poetic genius. Vidya illustrates salient aspects of his compositional style using examples drawn from his compositions, including the universally popular Alaipayudhe Kanna.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>toolbar,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 29: Featured Composer &#8212; Sri. Oothukadu Venkatakavi</title>
		<link>http://raagarasika.podbean.com/2009/02/13/episode-29-featured-composer-sri-oothukadu-venkatakavi/</link>
		<comments>http://raagarasika.podbean.com/2009/02/13/episode-29-featured-composer-sri-oothukadu-venkatakavi/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 20:05:12 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/02/13/episode-29-featured-composer-sri-oothukadu-venkatakavi/</guid>
		<description><![CDATA[We begin the episode with an introduction to the three composers known as the Trinity of carnatic music – Sri Thyagaraja, Sri Muthuswami Dikshitar and Sri Shyama Shastry. We continue our exploration by featuring a prolific pre-trinity composer: Sri. Oothukadu Venkatasubbier, also known as Oothukadu Venkatakavi. In this episode, Vidya shares with us some his [...]]]></description>
			<content:encoded><![CDATA[<p>We begin the episode with an introduction to the three composers known as the Trinity of carnatic music – Sri Thyagaraja, Sri Muthuswami Dikshitar and Sri Shyama Shastry. We continue our exploration by featuring a prolific pre-trinity composer: Sri. Oothukadu Venkatasubbier, also known as Oothukadu Venkatakavi. In this episode, Vidya shares with us some his popular compositions and discussed his exemplary contributions to Carnatic music.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/b48ag3/raagarasika29.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/02/13/episode-29-featured-composer-sri-oothukadu-venkatakavi/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/b48ag3/raagarasika29.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We begin the episode with an introduction to the three composers known as the Trinity of carnatic music – Sri Thyagaraja, Sri Muthuswami Dikshitar and ...</itunes:subtitle>
		<itunes:summary>We begin the episode with an introduction to the three composers known as the Trinity of carnatic music – Sri Thyagaraja, Sri Muthuswami Dikshitar and Sri Shyama Shastry. We continue our exploration by featuring a prolific pre-trinity composer: Sri. Oothukadu Venkatasubbier, also known as Oothukadu Venkatakavi. In this episode, Vidya shares with us some his popular compositions and discussed his exemplary contributions to Carnatic music.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>composer,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 28: Raaga Quiz: Mukhari vs. Bhairavi</title>
		<link>http://raagarasika.podbean.com/2009/02/03/episode-28-raaga-quiz-mukhari-vs-bhairavi/</link>
		<comments>http://raagarasika.podbean.com/2009/02/03/episode-28-raaga-quiz-mukhari-vs-bhairavi/#comments</comments>
		<pubDate>Tue, 03 Feb 2009 21:51:37 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/02/03/episode-28-raaga-quiz-mukhari-vs-bhairavi/</guid>
		<description><![CDATA[We finish the discussion on Mukhari and its allied raaga Bhairavi with a quiz. Vidya sings two alapanas, one in Raaga Mukhari and the other in Raaga Bhairavi. Can you figure out which is which? If you know the answer, write to us! We will answer the quiz the next time we publish our Rasika&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p>We finish the discussion on Mukhari and its allied raaga Bhairavi with a quiz. Vidya sings two alapanas, one in Raaga Mukhari and the other in Raaga Bhairavi. Can you figure out which is which? If you know the answer, write to us! We will answer the quiz the next time we publish our Rasika&#8217;s Voice segment. We will recognize winners as well!
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/37s45/raagarasika28.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/02/03/episode-28-raaga-quiz-mukhari-vs-bhairavi/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/37s45/raagarasika28.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We finish the discussion on Mukhari and its allied raaga Bhairavi with a quiz. Vidya sings two alapanas, one in Raaga Mukhari and the other ...</itunes:subtitle>
		<itunes:summary>We finish the discussion on Mukhari and its allied raaga Bhairavi with a quiz. Vidya sings two alapanas, one in Raaga Mukhari and the other in Raaga Bhairavi. Can you figure out which is which? If you know the answer, write to us! We will answer the quiz the next time we publish our Rasika's Voice segment. We will recognize winners as well!Download Standard Podcasts</itunes:summary>
		<itunes:keywords>quiz,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 27: A Discussion on Allied Raagas &#8212; Mukhari and Bhairavi</title>
		<link>http://raagarasika.podbean.com/2009/01/28/episode-27-a-discussion-on-allied-raagas-mukhari-and-bhairavi/</link>
		<comments>http://raagarasika.podbean.com/2009/01/28/episode-27-a-discussion-on-allied-raagas-mukhari-and-bhairavi/#comments</comments>
		<pubDate>Wed, 28 Jan 2009 23:49:36 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/01/28/episode-27-a-discussion-on-allied-raagas-mukhari-and-bhairavi/</guid>
		<description><![CDATA[In the last couple of episodes we featured the Raaga Mukhari. There are a number of raagas in Carnatic music that are closely allied to Mukhari, the most prominent of them being Bhairavi. In this episode, we discuss the similarities and differences between Mukhari and Bhairavi.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In the last couple of episodes we featured the Raaga Mukhari. There are a number of raagas in Carnatic music that are closely allied to Mukhari, the most prominent of them being Bhairavi. In this episode, we discuss the similarities and differences between Mukhari and Bhairavi.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/2m8ydd/raagarasika27.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/01/28/episode-27-a-discussion-on-allied-raagas-mukhari-and-bhairavi/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/2m8ydd/raagarasika27.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In the last couple of episodes we featured the Raaga Mukhari. There are a number of raagas in Carnatic music that are closely allied to ...</itunes:subtitle>
		<itunes:summary>In the last couple of episodes we featured the Raaga Mukhari. There are a number of raagas in Carnatic music that are closely allied to Mukhari, the most prominent of them being Bhairavi. In this episode, we discuss the similarities and differences between Mukhari and Bhairavi.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>raagas,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 26: Featured Composition &#8212; Enthani Ne</title>
		<link>http://raagarasika.podbean.com/2009/01/20/episode-26-featured-composition-enthani-ne/</link>
		<comments>http://raagarasika.podbean.com/2009/01/20/episode-26-featured-composition-enthani-ne/#comments</comments>
		<pubDate>Tue, 20 Jan 2009 22:20:52 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/01/20/episode-26-featured-composition-enthani-ne/</guid>
		<description><![CDATA[In this episode, we feature a Tyagaraja composition: Enthani Ne in Mukhari raaga. In this composition, Tyagaraja describes Shabhari&#8217;s (a character in the Hindu epic Ramayana) good fortune because she was able to meet and serve Lord Rama. We highlight the wonderful way in which the composer employs various aspects of Raaga Mukhari to effectively [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we feature a Tyagaraja composition: Enthani Ne in Mukhari raaga. In this composition, Tyagaraja describes Shabhari&#8217;s (a character in the Hindu epic Ramayana) good fortune because she was able to meet and serve Lord Rama. We highlight the wonderful way in which the composer employs various aspects of Raaga Mukhari to effectively bring out the high emotions connected to this story.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/knsdd/raagarasika26.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/01/20/episode-26-featured-composition-enthani-ne/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/knsdd/raagarasika26.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we feature a Tyagaraja composition: Enthani Ne in Mukhari raaga. In this composition, Tyagaraja describes Shabhari's (a character in the Hindu epic ...</itunes:subtitle>
		<itunes:summary>In this episode, we feature a Tyagaraja composition: Enthani Ne in Mukhari raaga. In this composition, Tyagaraja describes Shabhari's (a character in the Hindu epic Ramayana) good fortune because she was able to meet and serve Lord Rama. We highlight the wonderful way in which the composer employs various aspects of Raaga Mukhari to effectively bring out the high emotions connected to this story.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>composition,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 25: Featured Raaga &#8212; Mukhari</title>
		<link>http://raagarasika.podbean.com/2009/01/09/episode-25-featured-raaga-mukhari/</link>
		<comments>http://raagarasika.podbean.com/2009/01/09/episode-25-featured-raaga-mukhari/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 23:03:26 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2009/01/09/episode-25-featured-raaga-mukhari/</guid>
		<description><![CDATA[In this segment, we feature a raaga well known for its emotive appeal: Mukhari. As we discuss this raaga, we also cover a wide range of topics and define several terms in Carnatic music, such as: janya, shadava raaga, sampoorna raaga, and so on. We conclude the episode by talking about the fairly common misperception [...]]]></description>
			<content:encoded><![CDATA[<p>In this segment, we feature a raaga well known for its emotive appeal: Mukhari. As we discuss this raaga, we also cover a wide range of topics and define several terms in Carnatic music, such as: janya, shadava raaga, sampoorna raaga, and so on. We conclude the episode by talking about the fairly common misperception of Mukhari being a raaga associated with sadness and melancholy.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/698dix/raagarasika25.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2009/01/09/episode-25-featured-raaga-mukhari/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/698dix/raagarasika25.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this segment, we feature a raaga well known for its emotive appeal: Mukhari. As we discuss this raaga, we also cover a wide range ...</itunes:subtitle>
		<itunes:summary>In this segment, we feature a raaga well known for its emotive appeal: Mukhari. As we discuss this raaga, we also cover a wide range of topics and define several terms in Carnatic music, such as: janya, shadava raaga, sampoorna raaga, and so on. We conclude the episode by talking about the fairly common misperception of Mukhari being a raaga associated with sadness and melancholy.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured raaga,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 24: Featured Compositions of Sri. Annamacharya</title>
		<link>http://raagarasika.podbean.com/2008/12/26/episode-24-featured-compositions-of-sri-annamacharya/</link>
		<comments>http://raagarasika.podbean.com/2008/12/26/episode-24-featured-compositions-of-sri-annamacharya/#comments</comments>
		<pubDate>Fri, 26 Dec 2008 20:52:46 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/12/26/episode-24-featured-compositions-of-sri-annamacharya/</guid>
		<description><![CDATA[We continue our discussion from the previous episode and talk about Annamacharya&#8217;s compositions. Specifically, we feature two of his compositions. The first is Oka Pari in raaga Kharakarapriya, rendered by Sangeetha Kalanidhi Dr. Nedunuri Krishnamurthy. The second is the very popular Brahma Kadigina Padamu, in the raaga Mukhari.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We continue our discussion from the previous episode and talk about Annamacharya&#8217;s compositions. Specifically, we feature two of his compositions. The first is Oka Pari in raaga Kharakarapriya, rendered by Sangeetha Kalanidhi Dr. Nedunuri Krishnamurthy. The second is the very popular Brahma Kadigina Padamu, in the raaga Mukhari.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/5ezi/raagarasika24.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/12/26/episode-24-featured-compositions-of-sri-annamacharya/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/5ezi/raagarasika24.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our discussion from the previous episode and talk about Annamacharya's compositions. Specifically, we feature two of his compositions. The first is Oka Pari ...</itunes:subtitle>
		<itunes:summary>We continue our discussion from the previous episode and talk about Annamacharya's compositions. Specifically, we feature two of his compositions. The first is Oka Pari in raaga Kharakarapriya, rendered by Sangeetha Kalanidhi Dr. Nedunuri Krishnamurthy. The second is the very popular Brahma Kadigina Padamu, in the raaga Mukhari.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>composition,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 23: Featured Composer &#8212; Sri. Tallapaka Annamacharya</title>
		<link>http://raagarasika.podbean.com/2008/12/19/episode-23-featured-composer-sri-tallapaka-annamacharya/</link>
		<comments>http://raagarasika.podbean.com/2008/12/19/episode-23-featured-composer-sri-tallapaka-annamacharya/#comments</comments>
		<pubDate>Fri, 19 Dec 2008 19:25:55 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/12/19/episode-23-featured-composer-sri-tallapaka-annamacharya/</guid>
		<description><![CDATA[In this episode, we feature a prolific composer who was born 600 years ago: Sri Tallapaka Annamacharya. He is one of the earliest and most prolific composers in South India who composed several thousand songs in the praise of Lord Venkateshwara. We discuss his composition format and style, and also the ongoing efforts to re-popularize [...]]]></description>
			<content:encoded><![CDATA[<p>In this episode, we feature a prolific composer who was born 600 years ago: Sri Tallapaka Annamacharya. He is one of the earliest and most prolific composers in South India who composed several thousand songs in the praise of Lord Venkateshwara. We discuss his composition format and style, and also the ongoing efforts to re-popularize his compositions. We conclude the episode with a snippet from a rendering of an Annamacharya composition by Ms. Srirangam Gopalaratnam.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/xrq6p/raagarasika23.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/12/19/episode-23-featured-composer-sri-tallapaka-annamacharya/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/xrq6p/raagarasika23.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we feature a prolific composer who was born 600 years ago: Sri Tallapaka Annamacharya. He is one of the earliest and most ...</itunes:subtitle>
		<itunes:summary>In this episode, we feature a prolific composer who was born 600 years ago: Sri Tallapaka Annamacharya. He is one of the earliest and most prolific composers in South India who composed several thousand songs in the praise of Lord Venkateshwara. We discuss his composition format and style, and also the ongoing efforts to re-popularize his compositions. We conclude the episode with a snippet from a rendering of an Annamacharya composition by Ms. Srirangam Gopalaratnam.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>composers,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 22: Graha Bhedam Illustration</title>
		<link>http://raagarasika.podbean.com/2008/12/04/episode-22-graha-bhedam-illustration/</link>
		<comments>http://raagarasika.podbean.com/2008/12/04/episode-22-graha-bhedam-illustration/#comments</comments>
		<pubDate>Thu, 04 Dec 2008 20:49:30 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/12/04/episode-22-graha-bhedam-illustration/</guid>
		<description><![CDATA[We finish the discussion on Graha Bhedam with an illustration. Vidya discusses a graha bhedam performed by her guru Shri. Lalgudi Jayaraman in a Nattaikurinji raaga alapana to bring out the flavor of Neelambari raaga.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We finish the discussion on Graha Bhedam with an illustration. Vidya discusses a graha bhedam performed by her guru Shri. Lalgudi Jayaraman in a Nattaikurinji raaga alapana to bring out the flavor of Neelambari raaga.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/9zyw68/raagarasika22.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/12/04/episode-22-graha-bhedam-illustration/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/9zyw68/raagarasika22.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We finish the discussion on Graha Bhedam with an illustration. Vidya discusses a graha bhedam performed by her guru Shri. Lalgudi Jayaraman in a Nattaikurinji ...</itunes:subtitle>
		<itunes:summary>We finish the discussion on Graha Bhedam with an illustration. Vidya discusses a graha bhedam performed by her guru Shri. Lalgudi Jayaraman in a Nattaikurinji raaga alapana to bring out the flavor of Neelambari raaga.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>graha bhedam,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 21: Carnatic Music Terms Defined &#8212; Shruti Bhedam or Graha Bhedam</title>
		<link>http://raagarasika.podbean.com/2008/11/28/episode-21-carnatic-music-terms-defined-shruti-bhedam-or-graha-bhedam/</link>
		<comments>http://raagarasika.podbean.com/2008/11/28/episode-21-carnatic-music-terms-defined-shruti-bhedam-or-graha-bhedam/#comments</comments>
		<pubDate>Fri, 28 Nov 2008 06:54:20 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/11/28/episode-21-carnatic-music-terms-defined-shruti-bhedam-or-graha-bhedam/</guid>
		<description><![CDATA[Continuing on the topic of &#8220;Shruti&#8221;, in this episode we present the concept of Shruti Bhedam. Shruti Bhedam or Graha Bhedam is a form of improvisation in Carnatic Music where artistes transpose the raaga they are rendering to a new raaga by using a perception of a shift of their fundamental note or shadjam. Vidya [...]]]></description>
			<content:encoded><![CDATA[<p>Continuing on the topic of &#8220;Shruti&#8221;, in this episode we present the concept of Shruti Bhedam. Shruti Bhedam or Graha Bhedam is a form of improvisation in Carnatic Music where artistes transpose the raaga they are rendering to a new raaga by using a perception of a shift of their fundamental note or shadjam. Vidya illustrates this concept using the raaga Mohanam to bring out the raaga Madhyamavathy by a tonic shift.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/6yjvr2/raagarasika21.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/11/28/episode-21-carnatic-music-terms-defined-shruti-bhedam-or-graha-bhedam/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/6yjvr2/raagarasika21.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>Continuing on the topic of "Shruti", in this episode we present the concept of Shruti Bhedam. Shruti Bhedam or Graha Bhedam is a form of ...</itunes:subtitle>
		<itunes:summary>Continuing on the topic of "Shruti", in this episode we present the concept of Shruti Bhedam. Shruti Bhedam or Graha Bhedam is a form of improvisation in Carnatic Music where artistes transpose the raaga they are rendering to a new raaga by using a perception of a shift of their fundamental note or shadjam. Vidya illustrates this concept using the raaga Mohanam to bring out the raaga Madhyamavathy by a tonic shift.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>carnatic terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 20: Rasikas&#8217; Voice &#8212; Your Letters and Questions</title>
		<link>http://raagarasika.podbean.com/2008/11/13/episode-20-rasikas-voice-your-letters-and-questions/</link>
		<comments>http://raagarasika.podbean.com/2008/11/13/episode-20-rasikas-voice-your-letters-and-questions/#comments</comments>
		<pubDate>Thu, 13 Nov 2008 23:08:55 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/11/13/episode-20-rasikas-voice-your-letters-and-questions/</guid>
		<description><![CDATA[In this episode, we would like to share some of the feedback we have been getting so far. Thanks a lot for all your comments and enthusiastic support. We really appreciate it!

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In this episode, we would like to share some of the feedback we have been getting so far. Thanks a lot for all your comments and enthusiastic support. We really appreciate it!
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/eu9aq8/raagarasika20.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/11/13/episode-20-rasikas-voice-your-letters-and-questions/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/eu9aq8/raagarasika20.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we would like to share some of the feedback we have been getting so far. Thanks a lot for all your comments ...</itunes:subtitle>
		<itunes:summary>In this episode, we would like to share some of the feedback we have been getting so far. Thanks a lot for all your comments and enthusiastic support. We really appreciate it!Download Standard Podcasts</itunes:summary>
		<itunes:keywords>letters,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 19: Featured Instruments &#8212; Shruti Box and Tambura</title>
		<link>http://raagarasika.podbean.com/2008/11/05/episode-19-featured-instruments-shruti-box-and-tambura/</link>
		<comments>http://raagarasika.podbean.com/2008/11/05/episode-19-featured-instruments-shruti-box-and-tambura/#comments</comments>
		<pubDate>Wed, 05 Nov 2008 23:40:32 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/11/05/episode-19-featured-instruments-shruti-box-and-tambura/</guid>
		<description><![CDATA[In this segment, we showcase three related instruments: shruti box, electronic tambura, and a traditional tambura. We also discuss the main differences between each of them. Finally, we talk about the role of the traditional tambura artiste in the Carnatic music platform. 
Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; color: #1f497d; font-size: 10pt;"><span style="color: #000000;">In this segment, we showcase three related instruments: shruti box, electronic tambura, and a traditional tambura. We also discuss the main differences between each of them. Finally, we talk about the role of the traditional tambura artiste in the Carnatic music platform. </span></span></p>
<br/><a href="http://raagarasika.podbean.com/mf/web/ffvjv/raagarasika19.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/11/05/episode-19-featured-instruments-shruti-box-and-tambura/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/ffvjv/raagarasika19.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this segment, we showcase three related instruments: shruti box, electronic tambura, and a traditional tambura. We also discuss the main differences between each of ...</itunes:subtitle>
		<itunes:summary>In this segment, we showcase three related instruments: shruti box, electronic tambura, and a traditional tambura. We also discuss the main differences between each of them. Finally, we talk about the role of the traditional tambura artiste in the Carnatic music platform. Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured instruments,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 18: Carnatic Music Terms &#8212; Shruti</title>
		<link>http://raagarasika.podbean.com/2008/10/27/episode-18-carnatic-music-terms-shruti/</link>
		<comments>http://raagarasika.podbean.com/2008/10/27/episode-18-carnatic-music-terms-shruti/#comments</comments>
		<pubDate>Mon, 27 Oct 2008 19:26:52 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/10/27/episode-18-carnatic-music-terms-shruti/</guid>
		<description><![CDATA[We discuss another important term: Shruti or pitch. We also explain the relative nature of this concept in Carnatic music- and how a singer identifies the pitch that is best suited to his or her voice. Finally, we showcase a couple of snippets by Dr. M. Balamurali Krishna who is well known, among numerous other [...]]]></description>
			<content:encoded><![CDATA[<div>We discuss another important term: Shruti or pitch. We also explain the relative nature of this concept in Carnatic music- and how a singer identifies the pitch that is best suited to his or her voice. Finally, we showcase a couple of snippets by Dr. M. Balamurali Krishna who is well known, among numerous other things, for his exemplary capacity to easily sing across several octaves.</div>
<br/><a href="http://raagarasika.podbean.com/mf/web/ki5j3/raagarasika18.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/10/27/episode-18-carnatic-music-terms-shruti/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/ki5j3/raagarasika18.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We discuss another important term: Shruti or pitch. We also explain the relative nature of this concept in Carnatic music- and how a singer identifies ...</itunes:subtitle>
		<itunes:summary>We discuss another important term: Shruti or pitch. We also explain the relative nature of this concept in Carnatic music- and how a singer identifies the pitch that is best suited to his or her voice. Finally, we showcase a couple of snippets by Dr. M. Balamurali Krishna who is well known, among numerous other things, for his exemplary capacity to easily sing across several octaves.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>shruti,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 17: Carnatic Music Terms &#8212; Naada</title>
		<link>http://raagarasika.podbean.com/2008/10/20/episode-17-carnatic-music-terms-naada/</link>
		<comments>http://raagarasika.podbean.com/2008/10/20/episode-17-carnatic-music-terms-naada/#comments</comments>
		<pubDate>Mon, 20 Oct 2008 16:39:23 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/10/20/episode-17-carnatic-music-terms-naada/</guid>
		<description><![CDATA[Starting with this episode, we would like to dedicate a few segments to explaining some common terms used in Carnatic music. The first among these terms is Naada. We also showcase a couple of very popular Thygaraja compositions where he describes Naada and mentions the divine origin of the Saptaswaras or the 7 basic musical notes.

Download [...]]]></description>
			<content:encoded><![CDATA[<p>Starting with this episode, we would like to dedicate a few segments to explaining some common terms used in Carnatic music. The first among these terms is Naada. We also showcase a couple of very popular Thygaraja compositions where he describes Naada and mentions the divine origin of the Saptaswaras or the 7 basic musical notes.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/9ypbd3/raagarasika17.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/10/20/episode-17-carnatic-music-terms-naada/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/9ypbd3/raagarasika17.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>Starting with this episode, we would like to dedicate a few segments to explaining some common terms used in Carnatic music. The first among these terms ...</itunes:subtitle>
		<itunes:summary>Starting with this episode, we would like to dedicate a few segments to explaining some common terms used in Carnatic music. The first among these terms is Naada. We also showcase a couple of very popular Thygaraja compositions where he describes Naada and mentions the divine origin of the Saptaswaras or the 7 basic musical notes.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>carnatic terms,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 16 &#8212; Featured Compositions in Sivaranjani</title>
		<link>http://raagarasika.podbean.com/2008/10/13/episode-16-featured-compositions-in-sivaranjani/</link>
		<comments>http://raagarasika.podbean.com/2008/10/13/episode-16-featured-compositions-in-sivaranjani/#comments</comments>
		<pubDate>Tue, 14 Oct 2008 02:41:05 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/10/13/episode-16-featured-compositions-in-sivaranjani/</guid>
		<description><![CDATA[In this episode, we feature a couple of immensely popular tillanas. The first is composed by Maharajapuram Sri Santhanam and the second tillana is a composition by Lalgudi Sri Jayaraman. We discuss the additional inclusion of the Antara Gandharam to make the Misrasivaranjani variant of the raaga and also describe tillanas in general.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In this episode, we feature a couple of immensely popular tillanas. The first is composed by Maharajapuram Sri Santhanam and the second tillana is a composition by Lalgudi Sri Jayaraman. We discuss the additional inclusion of the Antara Gandharam to make the Misrasivaranjani variant of the raaga and also describe tillanas in general.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/9cqwki/raagarasika16.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/10/13/episode-16-featured-compositions-in-sivaranjani/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/9cqwki/raagarasika16.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we feature a couple of immensely popular tillanas. The first is composed by Maharajapuram Sri Santhanam and the second tillana is a ...</itunes:subtitle>
		<itunes:summary>In this episode, we feature a couple of immensely popular tillanas. The first is composed by Maharajapuram Sri Santhanam and the second tillana is a composition by Lalgudi Sri Jayaraman. We discuss the additional inclusion of the Antara Gandharam to make the Misrasivaranjani variant of the raaga and also describe tillanas in general.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured composition,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 15: Featured Raaga &#8212; Sivaranjani</title>
		<link>http://raagarasika.podbean.com/2008/09/30/episode-15-featured-raaga-sivaranjani/</link>
		<comments>http://raagarasika.podbean.com/2008/09/30/episode-15-featured-raaga-sivaranjani/#comments</comments>
		<pubDate>Tue, 30 Sep 2008 04:31:31 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/09/30/episode-15-featured-raaga-sivaranjani/</guid>
		<description><![CDATA[In the previous episode, we heard a snippet sung by Smt. M.L. Vasanthakumari in the audava (pentatonic) raaga: Sivaranjani. In this episode, we discuss this distinctive raaga known for its melancholic character. We then compare and contrast it to a relatively upbeat audava raaga: Mohanam.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In the previous episode, we heard a snippet sung by Smt. M.L. Vasanthakumari in the audava (pentatonic) raaga: Sivaranjani. In this episode, we discuss this distinctive raaga known for its melancholic character. We then compare and contrast it to a relatively upbeat audava raaga: Mohanam.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/ahzz/raagarasika15.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/09/30/episode-15-featured-raaga-sivaranjani/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/ahzz/raagarasika15.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In the previous episode, we heard a snippet sung by Smt. M.L. Vasanthakumari in the audava (pentatonic) raaga: Sivaranjani. In this episode, we discuss this ...</itunes:subtitle>
		<itunes:summary>In the previous episode, we heard a snippet sung by Smt. M.L. Vasanthakumari in the audava (pentatonic) raaga: Sivaranjani. In this episode, we discuss this distinctive raaga known for its melancholic character. We then compare and contrast it to a relatively upbeat audava raaga: Mohanam.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured raaga, sivaranjani,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 14: Purandara Dasa Compositions</title>
		<link>http://raagarasika.podbean.com/2008/09/22/episode-14-purandara-dasa-compositions/</link>
		<comments>http://raagarasika.podbean.com/2008/09/22/episode-14-purandara-dasa-compositions/#comments</comments>
		<pubDate>Mon, 22 Sep 2008 05:57:13 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/09/22/episode-14-purandara-dasa-compositions/</guid>
		<description><![CDATA[We continue our discussion from the previous episode and talk about Purandara Dasa&#8217;s compositions. We talk about Purandara Dasa’s influence on later composers, especially Thyagaraja, and also mention some musicians who have popularized his compositions on the concert platform.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We continue our discussion from the previous episode and talk about Purandara Dasa&#8217;s compositions. We talk about Purandara Dasa’s influence on later composers, especially Thyagaraja, and also mention some musicians who have popularized his compositions on the concert platform.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/gdx6fn/raagarasika14.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/09/22/episode-14-purandara-dasa-compositions/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/gdx6fn/raagarasika14.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our discussion from the previous episode and talk about Purandara Dasa's compositions. We talk about Purandara Dasa’s influence on later composers, especially Thyagaraja, ...</itunes:subtitle>
		<itunes:summary>We continue our discussion from the previous episode and talk about Purandara Dasa's compositions. We talk about Purandara Dasa’s influence on later composers, especially Thyagaraja, and also mention some musicians who have popularized his compositions on the concert platform.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured compositions,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 13: Featured Person &#8212; Purandara Dasa</title>
		<link>http://raagarasika.podbean.com/2008/09/15/episode-13-featured-person-purandara-dasa/</link>
		<comments>http://raagarasika.podbean.com/2008/09/15/episode-13-featured-person-purandara-dasa/#comments</comments>
		<pubDate>Mon, 15 Sep 2008 21:53:59 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/09/15/episode-13-featured-person-purandara-dasa/</guid>
		<description><![CDATA[We feature one of the most prominent Carnatic musicians during the time of the Vijayanagara kings: Purandara Dasa. Purandara Dasa is known as the Sangeeta Pitamaha or the Father of Carnatic music. We discuss some of his extraordinary contributions to Carnatic music and how his framework for music instruction is still followed today.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We feature one of the most prominent Carnatic musicians during the time of the Vijayanagara kings: Purandara Dasa. Purandara Dasa is known as the Sangeeta Pitamaha or the Father of Carnatic music. We discuss some of his extraordinary contributions to Carnatic music and how his framework for music instruction is still followed today.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/64ki/raagarasika13.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/09/15/episode-13-featured-person-purandara-dasa/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/64ki/raagarasika13.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We feature one of the most prominent Carnatic musicians during the time of the Vijayanagara kings: Purandara Dasa. Purandara Dasa is known as the Sangeeta ...</itunes:subtitle>
		<itunes:summary>We feature one of the most prominent Carnatic musicians during the time of the Vijayanagara kings: Purandara Dasa. Purandara Dasa is known as the Sangeeta Pitamaha or the Father of Carnatic music. We discuss some of his extraordinary contributions to Carnatic music and how his framework for music instruction is still followed today.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured person,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 12: Featured Place &#8212; Hampi</title>
		<link>http://raagarasika.podbean.com/2008/09/07/episode-12-featured-place-hampi/</link>
		<comments>http://raagarasika.podbean.com/2008/09/07/episode-12-featured-place-hampi/#comments</comments>
		<pubDate>Sun, 07 Sep 2008 18:59:19 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/09/07/episode-12-featured-place-hampi/</guid>
		<description><![CDATA[A few episodes ago, we talked about Chennai and its relevance to Carnatic music. In this episode, we trace the history of Carnatic music and take you back 600 years to discuss the Vijayanagara kingdom. We feature its capital: Vijayanagara, which is near modern day Hampi in Karnataka, India.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>A few episodes ago, we talked about Chennai and its relevance to Carnatic music. In this episode, we trace the history of Carnatic music and take you back 600 years to discuss the Vijayanagara kingdom. We feature its capital: Vijayanagara, which is near modern day <a title="Hampi" href="http://maps.live.com/?v=2&#038;where1=Hampi%2C%20Karn%C4%81taka%2C%20India&#038;encType=1" target="_blank">Hampi</a> in Karnataka, India.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/d63jib/raagarasika12.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/09/07/episode-12-featured-place-hampi/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/d63jib/raagarasika12.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>A few episodes ago, we talked about Chennai and its relevance to Carnatic music. In this episode, we trace the history of Carnatic music and take ...</itunes:subtitle>
		<itunes:summary>A few episodes ago, we talked about Chennai and its relevance to Carnatic music. In this episode, we trace the history of Carnatic music and take you back 600 years to discuss the Vijayanagara kingdom. We feature its capital: Vijayanagara, which is near modern day Hampi in Karnataka, India.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured place,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 11: Rasikas&#8217; Voice &#8212; Your Letters and Questions</title>
		<link>http://raagarasika.podbean.com/2008/08/31/episode-11-rasikas-voice-your-letters-and-questions/</link>
		<comments>http://raagarasika.podbean.com/2008/08/31/episode-11-rasikas-voice-your-letters-and-questions/#comments</comments>
		<pubDate>Mon, 01 Sep 2008 01:27:30 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/08/31/episode-11-rasikas-voice-your-letters-and-questions/</guid>
		<description><![CDATA[In this episode, we share some of the emails we have received from you so far and answer some of the questions we got from you. Thank you for joining us at Raaga Rasika and listening to our podcasts. Please continue writing to us &#8212; we value your feedback!

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>In this episode, we share some of the emails we have received from you so far and answer some of the questions we got from you. Thank you for joining us at Raaga Rasika and listening to our podcasts. Please continue writing to us &#8212; we value your feedback!
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/cunaxh/raagarasika11.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/08/31/episode-11-rasikas-voice-your-letters-and-questions/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/cunaxh/raagarasika11.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this episode, we share some of the emails we have received from you so far and answer some of the questions we got from you. ...</itunes:subtitle>
		<itunes:summary>In this episode, we share some of the emails we have received from you so far and answer some of the questions we got from you. Thank you for joining us at Raaga Rasika and listening to our podcasts. Please continue writing to us -- we value your feedback!Download Standard Podcasts</itunes:summary>
		<itunes:keywords>letters and emails,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 10: A Discussion on Gamakams</title>
		<link>http://raagarasika.podbean.com/2008/08/24/episode-10-a-discussion-on-gamakams/</link>
		<comments>http://raagarasika.podbean.com/2008/08/24/episode-10-a-discussion-on-gamakams/#comments</comments>
		<pubDate>Sun, 24 Aug 2008 23:08:37 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/08/24/episode-10-a-discussion-on-gamakams/</guid>
		<description><![CDATA[We continue our discussion from the last episode on Kalyani and Mohanakalyani, and discuss the role gamakams play when raagas are rendered.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We continue our discussion from the last episode on Kalyani and Mohanakalyani, and discuss the role gamakams play when raagas are rendered.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/4dsmd/raagarasika10.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/08/24/episode-10-a-discussion-on-gamakams/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/4dsmd/raagarasika10.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue our discussion from the last episode on Kalyani and Mohanakalyani, and discuss the role gamakams play when raagas are rendered.Download Standard Podcasts </itunes:subtitle>
		<itunes:summary>We continue our discussion from the last episode on Kalyani and Mohanakalyani, and discuss the role gamakams play when raagas are rendered.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>gamakams, gamakas,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 9: Featured Raagas &#8212; Kalyani and Mohanakalyani</title>
		<link>http://raagarasika.podbean.com/2008/08/17/episode-9-featured-raagas-kalyani-and-mohanakalyani/</link>
		<comments>http://raagarasika.podbean.com/2008/08/17/episode-9-featured-raagas-kalyani-and-mohanakalyani/#comments</comments>
		<pubDate>Sun, 17 Aug 2008 20:17:42 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/08/17/episode-9-featured-raagas-kalyani-and-mohanakalyani/</guid>
		<description><![CDATA[In this week&#8217;s episode, Vidya provides the answer to last week&#8217;s quiz. The odd-man out song is in Mohanakalyani. Vidya highlights some of the key differences between Kalyani and Mohanakalyani and illustrates the role of gamakams in bringing out differences between allied ragas using the three songs in the quiz.
Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<div>In this week&#8217;s episode, Vidya provides the answer to last week&#8217;s quiz. The odd-man out song is in Mohanakalyani. Vidya highlights some of the key differences between Kalyani and Mohanakalyani and illustrates the role of gamakams in bringing out differences between allied ragas using the three songs in the quiz.</div>
<br/><a href="http://raagarasika.podbean.com/mf/web/feu4v5/raagarasika9.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/08/17/episode-9-featured-raagas-kalyani-and-mohanakalyani/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/feu4v5/raagarasika9.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>In this week's episode, Vidya provides the answer to last week's quiz. The odd-man out song is in Mohanakalyani. Vidya highlights some of the key ...</itunes:subtitle>
		<itunes:summary>In this week's episode, Vidya provides the answer to last week's quiz. The odd-man out song is in Mohanakalyani. Vidya highlights some of the key differences between Kalyani and Mohanakalyani and illustrates the role of gamakams in bringing out differences between allied ragas using the three songs in the quiz.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>kalyani, mohanakalyani, quiz answer,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 8: Raaga Quiz &#8212; Kalyani</title>
		<link>http://raagarasika.podbean.com/2008/08/10/episode-8-raaga-quiz-kalyani/</link>
		<comments>http://raagarasika.podbean.com/2008/08/10/episode-8-raaga-quiz-kalyani/#comments</comments>
		<pubDate>Sun, 10 Aug 2008 19:36:16 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/08/10/episode-8-a-raaga-quiz-on-kalyani/</guid>
		<description><![CDATA[A good approach to enjoying Carnatic music is to begin training your ear to discern raagas and raaga patterns. In this episode, Vidya sings three different snippets - two of them in Kalyani raaga and one in a different raaga. Can you find the odd one out? We will answer the quiz in the next [...]]]></description>
			<content:encoded><![CDATA[<p>A good approach to enjoying Carnatic music is to begin training your ear to discern raagas and raaga patterns. In this episode, Vidya sings three different snippets - two of them in Kalyani raaga and one in a different raaga. Can you find the odd one out? We will answer the quiz in the next episode. If you know the answer, write to us! There will be special credit for people who not only provide the answer but also explain why and how the raagas are different. We will recognize noteworthy entries in a subsequent episode.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/ptfj/raagarasika8.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/08/10/episode-8-raaga-quiz-kalyani/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/ptfj/raagarasika8.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>A good approach to enjoying Carnatic music is to begin training your ear to discern raagas and raaga patterns. In this episode, Vidya sings three ...</itunes:subtitle>
		<itunes:summary>A good approach to enjoying Carnatic music is to begin training your ear to discern raagas and raaga patterns. In this episode, Vidya sings three different snippets - two of them in Kalyani raaga and one in a different raaga. Can you find the odd one out? We will answer the quiz in the next episode. If you know the answer, write to us! There will be special credit for people who not only provide the answer but also explain why and how the raagas are different. We will recognize noteworthy entries in a subsequent episode.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>quiz,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 7: Featured Composition &#8212; Navarasa Navaraga Varnam</title>
		<link>http://raagarasika.podbean.com/2008/08/03/episode-7-featured-composition-navarasa-navaraga-varnam/</link>
		<comments>http://raagarasika.podbean.com/2008/08/03/episode-7-featured-composition-navarasa-navaraga-varnam/#comments</comments>
		<pubDate>Sun, 03 Aug 2008 20:19:59 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/08/03/episode-7-featured-composition-navarasa-navaraga-varnam/</guid>
		<description><![CDATA[We continue last episode&#8217;s focus on Padmabhushan Lalgudi Jayaraman and turn our attention to his compositions. We feature his set of compositions included in Jaya Jaya Devi, a dance drama on Mother Goddess (Devi). Specifically, we focus on the Navarasa Varnam, a raagamalika that showcases the nine emotions (navarasas), and also discuss raagamalikas in general.

Download [...]]]></description>
			<content:encoded><![CDATA[<p>We continue last episode&#8217;s focus on Padmabhushan Lalgudi Jayaraman and turn our attention to his compositions. We feature his set of compositions included in Jaya Jaya Devi, a dance drama on Mother Goddess (Devi). Specifically, we focus on the Navarasa Varnam, a raagamalika that showcases the nine emotions (navarasas), and also discuss raagamalikas in general.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/dq8dar/raagarasika7.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/08/03/episode-7-featured-composition-navarasa-navaraga-varnam/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/dq8dar/raagarasika7.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue last episode's focus on Padmabhushan Lalgudi Jayaraman and turn our attention to his compositions. We feature his set of compositions included in Jaya ...</itunes:subtitle>
		<itunes:summary>We continue last episode's focus on Padmabhushan Lalgudi Jayaraman and turn our attention to his compositions. We feature his set of compositions included in Jaya Jaya Devi, a dance drama on Mother Goddess (Devi). Specifically, we focus on the Navarasa Varnam, a raagamalika that showcases the nine emotions (navarasas), and also discuss raagamalikas in general.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>compositions,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 6: Featured Person – Padmabhushan Lalgudi G. Jayaraman</title>
		<link>http://raagarasika.podbean.com/2008/07/27/episode-6-featured-person-%e2%80%93-padmabhushan-lalgudi-g-jayaraman/</link>
		<comments>http://raagarasika.podbean.com/2008/07/27/episode-6-featured-person-%e2%80%93-padmabhushan-lalgudi-g-jayaraman/#comments</comments>
		<pubDate>Sun, 27 Jul 2008 19:13:59 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/07/27/episode-6-featured-person-%e2%80%93-padmabhushan-lalgudi-g-jayaraman/</guid>
		<description><![CDATA[Just as in any other performing art, Carnatic Music &#8212; especially if you want to perform &#8212; takes several years of learning and practice.   And in Carnatic Music, the guru has a very special and almost sacred place in your life. In this episode, we talk about Vidya&#8217;s guru: Lalgudi Jayaraman. We also discuss his unique [...]]]></description>
			<content:encoded><![CDATA[<p>Just as in any other performing art, Carnatic Music &#8212; especially if you want to perform &#8212; takes several years of learning and practice.   And in Carnatic Music, the guru has a very special and almost sacred place in your life. In this episode, we talk about Vidya&#8217;s guru: Lalgudi Jayaraman. We also discuss his unique style, the Lalgudi Bani.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/vb4y4/raagarasika6.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/07/27/episode-6-featured-person-%e2%80%93-padmabhushan-lalgudi-g-jayaraman/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/vb4y4/raagarasika6.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>Just as in any other performing art, Carnatic Music -- especially if you want to perform -- takes several years of learning and practice.   And ...</itunes:subtitle>
		<itunes:summary>Just as in any other performing art, Carnatic Music -- especially if you want to perform -- takes several years of learning and practice.   And in Carnatic Music, the guru has a very special and almost sacred place in your life. In this episode, we talk about Vidya's guru: Lalgudi Jayaraman. We also discuss his unique style, the Lalgudi Bani.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>lalgudi jayaraman, lalgudi bani,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 5: Featured Place &#8212; Chennai</title>
		<link>http://raagarasika.podbean.com/2008/07/20/episode-5-featured-place-chennai/</link>
		<comments>http://raagarasika.podbean.com/2008/07/20/episode-5-featured-place-chennai/#comments</comments>
		<pubDate>Sun, 20 Jul 2008 18:39:00 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/07/20/episode-5-featured-place-chennai/</guid>
		<description><![CDATA[As we explore the world of Carnatic Music, every now and then, we plan to highlight key cities, towns, and villages that play an important role in this art form. In the last segment, we discussed the art of listening. We talked about how attending concerts is one way to expose yourself and learn by listening. [...]]]></description>
			<content:encoded><![CDATA[<p>As we explore the world of Carnatic Music, every now and then, we plan to highlight key cities, towns, and villages that play an important role in this art form. In the last segment, we discussed the art of listening. We talked about how attending concerts is one way to expose yourself and learn by listening. When it comes to Carnatic music concerts, <a target="_blank" title="Chennai -- Where it is" href="http://maps.live.com/?v=2&#038;where1=Chennai%2C%20Tamil%20N%C4%81du%2C%20India&#038;encType=1">Chennai</a> has a lot to offer. So, in this segment, we shine the spotlight on <a target="_blank" title="Chennai -- Where it is" href="http://maps.live.com/?v=2&#038;where1=Chennai%2C%20Tamil%20N%C4%81du%2C%20India&#038;encType=1">Chennai</a>.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/mnjsrv/raagarasika5.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/07/20/episode-5-featured-place-chennai/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/mnjsrv/raagarasika5.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>As we explore the world of Carnatic Music, every now and then, we plan to highlight key cities, towns, and villages that play an important ...</itunes:subtitle>
		<itunes:summary>As we explore the world of Carnatic Music, every now and then, we plan to highlight key cities, towns, and villages that play an important role in this art form. In the last segment, we discussed the art of listening. We talked about how attending concerts is one way to expose yourself and learn by listening. When it comes to Carnatic music concerts, Chennai has a lot to offer. So, in this segment, we shine the spotlight on Chennai.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>chennai, featured place, concerts,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 4: The Art of Listening</title>
		<link>http://raagarasika.podbean.com/2008/07/13/episode-4-the-art-of-listening/</link>
		<comments>http://raagarasika.podbean.com/2008/07/13/episode-4-the-art-of-listening/#comments</comments>
		<pubDate>Sun, 13 Jul 2008 17:36:34 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/07/13/episode-4-the-art-of-listening/</guid>
		<description><![CDATA[We start of this episode by learning a bit more about Vidya. Then, we discuss how you can begin your journey to understand and appreciate Carnatic Music better. Vidya&#8217;s tip is pretty straightforward yet profound: keep listening to a lot of Carnatic Music and start looking for patterns.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We start of this episode by learning a bit more about Vidya. Then, we discuss how you can begin your journey to understand and appreciate Carnatic Music better. Vidya&#8217;s tip is pretty straightforward yet profound: keep listening to a lot of Carnatic Music and start looking for patterns.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/yxtgf/raagarasika4.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/07/13/episode-4-the-art-of-listening/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/yxtgf/raagarasika4.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We start of this episode by learning a bit more about Vidya. Then, we discuss how you can begin your journey to understand and appreciate ...</itunes:subtitle>
		<itunes:summary>We start of this episode by learning a bit more about Vidya. Then, we discuss how you can begin your journey to understand and appreciate Carnatic Music better. Vidya's tip is pretty straightforward yet profound: keep listening to a lot of Carnatic Music and start looking for patterns.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>vidya, chennai listening, kalyani,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 3: Raaga Discussion &#8212; Naattai</title>
		<link>http://raagarasika.podbean.com/2008/07/06/episode-3-raaga-discussion-naattai/</link>
		<comments>http://raagarasika.podbean.com/2008/07/06/episode-3-raaga-discussion-naattai/#comments</comments>
		<pubDate>Sun, 06 Jul 2008 16:52:31 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/07/06/episode-3-raaga-discussion-naattai/</guid>
		<description><![CDATA[We continue the discussion from the last episode. We discuss the raaga Naattai, the raaga in which Maha Ganapathim is composed.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>We continue the discussion from the last episode. We discuss the raaga Naattai, the raaga in which Maha Ganapathim is composed.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/jucwki/raagarasika3.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/07/06/episode-3-raaga-discussion-naattai/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/jucwki/raagarasika3.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>We continue the discussion from the last episode. We discuss the raaga Naattai, the raaga in which Maha Ganapathim is composed.Download Standard Podcasts </itunes:subtitle>
		<itunes:summary>We continue the discussion from the last episode. We discuss the raaga Naattai, the raaga in which Maha Ganapathim is composed.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>naattai raaga,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 2: Featured Song &#8212; Maha Ganapathim</title>
		<link>http://raagarasika.podbean.com/2008/06/29/episode-2-featured-song-maha-ganapathim/</link>
		<comments>http://raagarasika.podbean.com/2008/06/29/episode-2-featured-song-maha-ganapathim/#comments</comments>
		<pubDate>Sun, 29 Jun 2008 04:58:48 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/06/29/featured-song-mahaganapathim/</guid>
		<description><![CDATA[One of the best ways to appreciate Carnatic Music better is to listen to songs. In that spirit, we will be regularly featuring certain songs and talk about them. This week, our featured song is Maha Ganapatim.

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>One of the best ways to appreciate Carnatic Music better is to listen to songs. In that spirit, we will be regularly featuring certain songs and talk about them. This week, our featured song is Maha Ganapatim.
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/v52qic/raagarasika2.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/06/29/episode-2-featured-song-maha-ganapathim/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/v52qic/raagarasika2.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>One of the best ways to appreciate Carnatic Music better is to listen to songs. In that spirit, we will be regularly featuring certain songs ...</itunes:subtitle>
		<itunes:summary>One of the best ways to appreciate Carnatic Music better is to listen to songs. In that spirit, we will be regularly featuring certain songs and talk about them. This week, our featured song is Maha Ganapatim.Download Standard Podcasts</itunes:summary>
		<itunes:keywords>featured song, naattai, maha ganapatim, muthuswamy dikshitar,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
		<item>
		<title>Episode 1: Welcome to Raaga Rasika</title>
		<link>http://raagarasika.podbean.com/2008/06/23/episode-1-welcome-to-raaga-rasika/</link>
		<comments>http://raagarasika.podbean.com/2008/06/23/episode-1-welcome-to-raaga-rasika/#comments</comments>
		<pubDate>Mon, 23 Jun 2008 06:16:07 +0000</pubDate>
		<dc:creator>raagarasika</dc:creator>
		
	<category>Uncategorized</category>
		<guid isPermaLink="false">http://raagarasika.podbean.com/2008/06/23/episode-1-welcome-to-raaga-rasika/</guid>
		<description><![CDATA[Here&#8217;s the first podcast in the series. In this episode, we discuss what Raaga Rasika is, what you should expect from this program, and why we are doing this. This is going to be an exciting journey and we hope you join us!  

Download Standard Podcasts]]></description>
			<content:encoded><![CDATA[<p>Here&#8217;s the first podcast in the series. In this episode, we discuss what Raaga Rasika is, what you should expect from this program, and why we are doing this. This is going to be an exciting journey and we hope you join us!  
</p>
<br/><a href="http://raagarasika.podbean.com/mf/web/q8dn7a/raagarasika1.mp3">Download Standard Podcasts</a><br/>]]></content:encoded>
			<wfw:commentRss>http://raagarasika.podbean.com/2008/06/23/episode-1-welcome-to-raaga-rasika/feed/</wfw:commentRss>
			<enclosure url="http://raagarasika.podbean.com/mf/feed/q8dn7a/raagarasika1.mp3" length="1" type="audio/mpeg"/>
				<itunes:subtitle>Here's the first podcast in the series. In this episode, we discuss what Raaga Rasika is, what you should expect from this program, and why ...</itunes:subtitle>
		<itunes:summary>Here's the first podcast in the series. In this episode, we discuss what Raaga Rasika is, what you should expect from this program, and why we are doing this. This is going to be an exciting journey and we hope you join us!  Download Standard Podcasts</itunes:summary>
		<itunes:keywords>welcome, introduction, about raaga rasika,</itunes:keywords>
		<itunes:author>Raaga Rasika</itunes:author>
		<itunes:explicit>No</itunes:explicit>
		<itunes:block>No</itunes:block>
			</item>
	</channel>
</rss>
